I’ve just had my first whooshing sound of the semester as a deadline whipped by at a rate of knots without the associated assignment actually being ready. Not a happy feeling, considering we’re still the best part of two weeks from the mid-semester break. Unfortunately, I just haven’t figured out yet how to juggle the seemingly insane requirements of the units I’m doing this semester, and consequently, two of the units (Feature Film Scriptwriting and the dreaded Internet and Java Programming) aren’t getting much love at present, let alone anything outside of uni.
Speaking of which, sorry, people waiting for a PEAR DB release. I haven’t forgotten about you.
Anyway, some things are happening, at least. The Computer Science project I’m working on is cool, and terrifyingly large in scope at present. (I’ll write a proper blog post about that later in the week, hopefully.) My latest film project has started shooting, and as we work our way through that process, I’m gradually realising just how much I’ve dropped myself in it as editor. The next time I write a script with that much chromakey work in it, I’m making sure that I don’t actually have to do anything related to said chromakeying. As things stand, I have to composite four — actually, it might be five, now that I think about it — scenes in post, including one against a virtual set which I’ve only had time to partially build so far. I mean, There are walls. There’s a screen. There isn’t anything resembling a door, though, and I still have to match the lighting to the actual set-up we’re using against the bluescreen, so
partially built might be optimistic.
Slightly built might have been a better phrase. Next time, we’re using flats, even if I have to spend all weekend painting them.
It’s interesting watching shooting take place for a script I wrote, though. I’m sure it’s even more fulfilling for Reuben, our director, since it was his story idea in the first place, but I keep feeling both proud of the fact that the scenes being shot are the ones I scribbled out, and worried that if we suck, it’s going to be largely my fault — you can talk about how the director is the true author of the film all you want, but JMS has referred to certain things on Babylon 5 being
writer problems, and I suspect that most of the potential issues with this film are going to be in that basket.
At least I get the chance to fix them in post. (
We’ll fix it in post is the film student mantra, it seems.) Of course, said fixing might require sock puppets…
Yep. Just like that.